Hey, Neptune

keep-me-wild:

adventuresofcomicbookgirl:

Looks like this essay was needed, so I went ahead and did it. Not sure I said everything I wanted to say, but I tried.

So, there’s this girl. She’s tragically orphaned and richer than anyone on the planet. Every guy she meets falls in love with her, but in between torrid romances she rejects them all because she dedicated to what is Pure and Good. She has genius level intellect, Olympic-athelete level athletic ability and incredible good looks. She is consumed by terrible angst, but this only makes guys want her more. She has no superhuman abilities, yet she is more competent than her superhuman friends and defeats superhumans with ease. She has unshakably loyal friends and allies, despite the fact she treats them pretty badly.  They fear and respect her, and defer to her orders. Everyone is obsessed with her, even her enemies are attracted to her. She can plan ahead for anything and she’s generally right with any conclusion she makes. People who defy her are inevitably wrong.

 God, what a Mary Sue.

I just described Batman.

  Wish fulfillment characters have been around since the beginning of time. The good guys tend to win, get the girl and have everything fall into place for them. It’s only when women started doing it that it became a problem.

TV Tropes on the origin of Mary Sue:

The prototypical Mary Sue is an original female character in a fanfic who obviously serves as an idealized version of the author mainly for the purpose of Wish Fulfillment.

Notice the strange emphasis on female here. TV Tropes goes on to say that is took a long time for the male counterpart “Marty Stu” to be used. “Most fanfic writers are girls” is given as the reason. So when women dominate a genre, that means people are on close watch, ready to scorn any wish fulfillment they may engage in. This term could only originate if the default was female.

 In fact, one of the CONTROVERSIES listed on the TV Tropes page is if a male sue is even possible. That’s right, it’s impossible to have an idealizied male character. Men are already the ideal.

 In our culture, male tends to be the default. Women take on the distaff parts. “Him” and “mankind” are what humanity are, “her” and “womankind” are secondary. Yet this isn’t true for Mary Sue as a term. That name was created first. It was a Star Trek fic that coined it and the female desigination was likely a big reason it caught on. This female is name the default to use when describing idealized characters. Marty Stu and Gary Stu are only to be used if you’re discussing men specifically.  Heck, there isn’t even an agreed upon term for them. So the only time female can be default is when discussing a badly written character, someone who is more powerful or important or liked than they should be allowed to be, someone the plot focuses on more than you would like, someone you don’t want to read about. Hmmm.

 What’s really wrong with a thirteen year old girl having a power fantasy, even if it’s badly written?  Who is it hurting? Men have baldly admitted to writing power fantasies and self inserts since the beginning of time. How many nerdy, schlubby guys suddenly become badasses and have hot girls chasing after them in fiction? See: Spiderman- blatant everyman who happens to  stumble across amazing powers and catch the eye of a supermodel.  Mary Sue is considered the worst insult to throw at a character as it renders them worthless. But since when are idealized characters automatically worthless? Aren’t all heroes idealized in some way? Don’t all heroes represent the author in some way? Aren’t these characters supposed to be people we look up to, people who represent human potential, the goodness that we strive for? Fantasy by nature is idealized, even the tragic ones.

 If you look at the TV Tropes page for Mary Sue, it’s ridiculous. You can be a sue for having too many flaws, or not enough, for fixing things or messing things up, for being a hero or a villain. And of course, this is specifically pointed out as a trope related to the Princess and Magical Girl genres- genres aimed towards women are naturally full of Mary Sues.  Magical girls are powerful and heroic and actually flaunt femininity as a good thing. They are a power fantasy designed for girls. So of course, a girl using traditionally feminine traits to dominate and triumph means she’s a sickeningly pure Mary Sue who makes everything go their way. Feminine traits are disdained and look down on, so when the positive feminine traits are prominent, the reader has an aversive reaction. How can a character be so feminine and triumph? She must be unrealistic, she must be badly written, because everyone knows it is impossible to be feminine and powerful.

 Let’s look at what kinds of Mary Sues people will point to. People will claim a female character is a Mary Sue if she is a love interest. Put a female character within a foot of a male character, and people will scream “Mary Sue!” Why does someone falling in love with her make her a Mary Sue? Well, she hasn’t “earned” this awesome dude character’s love. What has she done to show she’s worthy of him? Fans miss the irony that this line of logic makes the male character seem more like the Sue in Question, as he’s apparently so perfect one has work for his coveted love and praise.

  The idea that woman has to “earn” any power, praise, love, or plot prominence is central to Mary Sue.  Men do not have to do this, they are naturally assumed to be powerful, central and loveable. That’s why it’s the first thing thrown at a female character- what has she done to be given the same consideration as a male character? Why is she suddenly usurping a male role? “Mary Sue” is the easiest way to dismiss a character. It sounds bad to say “I don’t like this female character. I don’t like that this woman is powerful. I don’t like it when the plot focuses on her. I don’t like that a character I like has affections for her.”  But “Mary Sue” is a way to say these things without really saying them. It gives you legitimacy.

 If a character is badly written, there’s generally something much more problematic than idealization going on. The plot will be dull and the character will perpetuate harmful stereotypes while other characters act oddly.  For instance, Bella Swan is one of the only characters I’d even begin to classify as a Mary Sue, yet it’s not really her supposed Mary Sue traits that bother me. I don’t mind that she gets what she wants and everyone loves her, that she’s Meyer’s power fantasy. What I actually mind is that Stephenie Meyer has her perpetuate harmful anti-woman stereotypes- women need to be protected, women are shallow, women’s worth rests in desirability. That’s what’s actually harmful about her and worth discussing. I would criticize that rather than even get to the fact Bella got to be “too perfect and powerful”- that’s just a tiny, insignificant thing not worth mentioning in a huge pile of problems.

 And that’s why I don’t call characters Mary Sue anymore. There’s really nothing bad about a power fantasy or wish fulfillment. It’s what’s fiction’s about.  If one of my characters is called a Sue, I’ll proudly say “yep”, because that must mean that she broke out of that box a female character is supposed to be in.  So I’ll go and say it: I love me some Mary Sues.

Perfection.

Preach. I don’t see the problem in having a “perfect” character of either gender when you’re writing fiction, especially fantasy. Fiction is escapism—getting out our own heads, seeing a different world from someone else’s perspective. When used correctly, fantasy can be used to look at our own world through a sharper lens, and when you have a character with all the normal-world hurdles removed, we can focus on what’s important or the sort of problems that still plague us even when we’re granted perfection.

As for the wish fulfillment argument, you don’t get wish fulfillment from a story. I can read Pride & Prejudice and imagine myself as Elizabeth Bennett, but when I finish the story, there is no Mr. Darcy next to me in bed. Maybe I’m being too literal, but the definition of fulfillment is “to bring into actuality” and I don’t actually get to be Elizabeth Bennett by reading that story. (Lost in Austen not withstanding.)

I also find it silly when people take offense when characters haven’t *earned* the love of some other character, as though love happens that way. I’ve loved people who weren’t attractive, rich, genius superheroes simply because they made me laugh and were able to hold up their end of the conversation. I’ve loved people that made my other friends say, “Dear Lord, why?” and my only answer was “I don’t know.” Cause that’s how love is, “for the heart is an organ of fire.” 

I hate the sexist implications of Mary Sue as a term, but I also hate that most of the people who hold it up as an example of “what not to do” don’t understand what it is that is wrong with it. It’s not that it’s a ludicrously powerful female character written by a woman, it’s that it is a badly drawn character written by a writer. I agree wholeheartedly though that Bella Swan is a Mary Sue and one of the worst.